Mexico

Designers increasingly rely on procedural generation for automatic generation of content in various industries. These techniques require extensive knowledge of the desired content, and about how to actually implement such procedural methods. Algorithms for learning interpretable generative models from example content could alleviate both difficulties. We propose SIGI, a novel method for inferring shapes and inducing a shape grammar from grid-based 3D building examples. This interpretable grammar is well-suited for co-creative design. Applied to Minecraft buildings, we show how the shape grammar can be used to automatically generate new buildings in a similar style.

ICCC&#39;21

Shape Inference and Grammar Induction for Example-based Procedural Generation

This free two-day event is being organised by a number of the key organisation supporting quantum innovation in UK and France and will showcase the national quantum programmes, funding landscapes, the future markets for quantum technologies and the leading quantum companies being developed in both countries.
<br>
The organisational team are comprised of members of the Commercialising Quantum Technologies Challenge in UKRI  which is part of the UK National Quantum Technologies Programme and Le Lab Quantique.



To regsiter for this event, please follow the link below.

UK & France Quantum Innovation Exhibition

poster

### **Welcome to the Twelfth International Conference on Computational Creativity, ICCC’21!**

<iframe width=1280 height=720 style="border:0;" scrolling="no" src="https://screencast-o-matic.com/player/crQbitV66dw?width=1280&height=720&ff=1&title=0" allowfullscreen="true"></iframe>

Computational creativity is an interdisciplinary endeavor that is located at the intersection of the fields of artificial intelligence, cognitive psychology, philosophy, social sciences and the arts. The goal of computational creativity is to model, simulate or replicate creativity using a computer, to achieve one of several ends:

* to construct a program or computer capable of showing some level of creativity
* to better understand human creativity and to formulate an algorithmic perspective on creative behavior in humans
* to design programs that can enhance human creativity without necessarily being creative themselves

<br>The ICCC conference series organized by the [**Association for Computational Creativity**](https://computationalcreativity.net/) since 2010 is the only scientific conference that focuses on computational creativity alone and also covers all aspects of it.



To access the Twelfth International Conference on Computational Creativity, ICCC’21, you need to register for the conference.  Instructions on how to access the event will be provided directly to attendees and included on the Twelfth International Conference on Computational Creativity, ICCC’21 conference website. 

[Register now](https://computationalcreativity.net/iccc21/registration/)

Register now

ICCC'21

Welcome to the Twelfth International Conference on Computational Creativity, ICCC’21!

This paper concerns the evaluation of a workspace architecture for generating natural language descriptions, including methods for evaluating both its output and its own self-evaluation. Herein are details of preliminary results from evaluation of an early iteration of the architecture operating in the domain of weather. The domain is not typically seen as creative, but provides a simple testbed for the architecture and evaluation methodology. The program does not yet match humans in terms of fluency of language, factual correctness, and how completely the input is described, but human judges did find the program's output easier to read than human generated texts. Planned improvements to the program also described in the paper will incorporate self-monitoring and better self-evaluation with the aim of producing descriptions that are more fluently written and more accurate.

Evaluating Natural Language Descriptions Generated in a Workspace-Based Architecture

RoboCHAIR is a system for generating scientific questions and is implemented as a web interface. We focus on generating questions which can trigger new scientific
ideas or bring attention to the elements that need clarifications. This paper extends the initial version of the RoboCHAIR’s question generation module by keeping only a selection of best evaluated templates from the initial pattern-based approach and proposes a novel method based on triplet graphs enriched with word embeddings
to identify parts of text which require clarifications by the author(s). In this paper the two methods are compared showing that the pattern-based method achieves higher scores.

Scientific question generation: pattern-based and graph-based RoboCHAIR methods

Social media is now the megaphone of choice for many digital-age provocateurs. Social networks offer a wealth of examples of egregious misbehaviour by humans, but perhaps more worryingly, they also serve to magnify and weaponize the automated outputs of generative systems. So what responsibilities do the creators of these systems bear for the offenses caused by their creations, and what can they do to prevent, or mitigate, the worst excesses? For those who “make things that make things,” the issue is further complicated by the potential of our systems to accidentally tread on the feelings of others. When does a norm become a troubling stereotype, and how should a system built on social norms avoid crossing the line? We argue that because this line is so easy to cross, our systems should aim to engage with and mitigate offense rather than try vainly to prevent it completely.


Walking the Line in Computational Creativity: Paradox and Pitfall in the Mitigation of Automated Offense

Although creativity is an ability that can be developed if trained, most of the systems developed for creativity stimulation focused on individual interventions. This work presents the design, development, and evaluation of CUBUS, a digital tool developed to inspire social creativity in children through storytelling and emotionally expressive characters. Groups of children collaborate with the autonomous virtual characters of the digital tool to create a story together. Our main goal was to conduct an experimental study (n=20) to investigate if the interaction between children and the autonomous emotionally expressive virtual characters present in CUBUS can stimulate social creativity during a storytelling activity. We measured the impact of the digital tool across several creativity domains: pre-and post-testing (questionnaire assessment), the creative process of children (behavior analysis), and the story created (creative outcome). Results showed that although children generated fewer storytelling ideas using CUBUS, these ideas were deemed more original.

Inspiring Social Creativity in Children with a Digital Tool

What if creative machines could show the story told by a live orchestra? In this paper, we propose a vision for a co-creative orchestra performance partner that enlivens this classical art form and has the potential to increase audience engagement and reach broader audiences. We present MIST, an early version of our vision, which creates real-time visualizations as live music is performed, and showcase it in a violin performance.

MIST: ``You Play, I'll Draw'

The ability to produce surprising outputs is a cornerstone of creative behavior. In this paper we propose deep learning architectures that are trained in an adversarial setting to learn patterns of expectations and surprise from data. We introduce benchmark datasets of geometrical shapes that represent well defined patterns of violations of expectations, and use them to verify empirically that the separation between learning of expectations and learning of surprise is essential for achieving good generalization performance.

Adversarial Learning of Expectation and Surprise: Experiments with Geometric Shapes

The study of Ukiyo-e, an important genre of pre-modern Japanese art, focuses on the object and style like other artwork researches. Such study has benefited from the renewed interest by the machine learning community in culturally important topics, leading to interdisciplinary works including collections of images, quantitative approaches, and machine learning-based creativities. They, however, have several drawbacks, and it remains challenging to integrate these works into a comprehensive view. To bridge this gap, we propose a holistic approach We first present a large-scale Ukiyo-e dataset with coherent semantic labels and geometric annotations, then show its value in a quantitative study of Ukiyo-e paintings' object using these labels and annotations. We further demonstrate the machine learning methods could help style study through soft color decomposition of Ukiyo-e, and finally provides joint insights into object and style by composing sketches and colors using colorization

Ukiyo-e Analysis and Creativity with Attribute and Geometry Annotation

Metaphor is a powerful tool in the performer’s tool box, not least because it can operate at several levels at once. As our linguistic metaphors deliver rhetorical flourishes, conceptual metaphors change the way we see the world, while our metaphorical body language allows us to take postures and stances that are both figurative and literal. Each kind of metaphor is another expressive choice that creative performers can make to convey their meanings. This choice sits at the heart of what it means to be a creative agent, for agents who lack choice and do exactly as they are told cannot exercise genuine intent for their actions. We shall explore how interpretation is wrapped up with choice to appreciate and to achieve emotional creativity in a system for generating and enacting automated tales. We explain here how three levels of description – linguistic, conceptual and physical – are integrated in a framework that motivates the use of metaphor or irony as a creative choice, by robot performers aiming to go beyond a predetermined script.

Metaphor, Blending and Irony in Action: Creative Performance as Interpretation and Emotionally-Grounded Choice

Architecture search optimizes the structure of a neural network for some task instead of relying on manual authoring. However, it is slow, as each potential architecture is typically trained from scratch. In this paper we present an approach called Conceptual Expansion Neural Architecture Search (CENAS) that combines a sample-efficient, computational creativityinspired transfer learning approach with neural architecture search. This approach finds models faster than naive architecture search via transferring existing weights to approximate the parameters of the new model. It outperforms standard transfer learning by allowing for the addition of features instead of only modifying existing features. We demonstrate that our approach outperforms standard neural architecture search and transfer learning methods in terms of efficiency, performance, and parameter counts on a variety of transfer learning tasks.

Shape Inference and Grammar Induction for Example-based Procedural Generation

Downloads

Next from ICCC'21

Evaluating Natural Language Descriptions Generated in a Workspace-Based Architecture

Similar lecture

How to do due diligence for Quantum Tech